Keynote Session

“Chinese Women’s Pornography and Its Afterglow”

Panel 1: Queer Culture and Sexuality

「中國BL文化與腐女群體的人類學研究」

(“Anthropological Studies of Chinese Boy’s Love Culture and Funü Community”)

Carman FUNG (The Hong Kong Institute of Education)

“Producing a “Queer” Subject in Asian Lesbian Media: Beyond an Essentialist/Performative Dichotomy”

Panel 2: History and Resistance

“Spectacularity in History Writing: A Case Study of Disability in the Arts of Popular Culture”

Kwok Wai LAI (The Chinese University of Hong Kong)

「反『地產霸權』表述作為日常生活對抗 」

(“Discourses of Anti-Property-Hegemony as Everyday Resistance”)

Jeffery CLAPP, Barry CROSBIE, David KANG (The Hong Kong Institute of Education)

“Hong Kong’s Popular Political Culture: Contextualizing the Umbrella Movement”

Helena WU (University of Zurich)

“From Kwan Yee Gor to Ip Man: Heroic Icons as Objects of (Re-)Enchantment in Hong Kong Popular Culture”

Panel 3: Fan Culture and New Media

Xiaoli TIAN (University of Hong Kong)

“Fandom and Coercive Empowerment: The commissioned production of Chinese online literature”

Egret ZHOU (The Hong Kong Institute of Education)

“Local Consumption in An Age of Transcultural Traffic: The Menu (2015), Hong Kong TV Dramas and the Positionalities of Hong Kong Popular Culture”

Diane HUI (Lingnan University)

“Mediating Literacy Practices through Social Networking Discourse”

Panel 4: Transnational Popular Music and Cinema

“Popular Songs for Social Change in Shanghai: Looking Back and Looking Forward”

David KANG (The Hong Kong Institute of Education)

On K-Pop

Danny CHAN (Hong Kong Community College, Hong Kong Polytechnic University)

“Crave for Hauntings: Horror as Popular Cultural Empowerment”

Serina HA (University of Hong Kong)

“Looking through the Japanese movie in Hong Kong in 80’s”